Location Proposals stem from my interest in the way memory is reconstructed and generated within the space of digital models. Whereas photographic representations reside in the specific, computer models have no direct indexical referent. The images are made by moving a "virtual" camera around the computer model and capturing views of the model. Yet, even with the absence of physical space, a type of punctum, of familiarity is at play in the digital images. Images based on digital models create a push-pull in the viewer between the specific reference (that's Warehouse One in San Pedro) and the generic structure (a building on the docks).
 Location Proposal
#1, Frame ,
1997
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 Location Proposal
#2, Shot 3, 1997 |
 Location Proposal #2: Shot 5, Giant Rock, March 1999 |
 Location Proposal #4, Installation View, LACMA, 1997 |
 Location Proposal #5, Airport, 2001 |
 projections+sound, Goldman-Tevis Gallery, 2001 |
 Solo Exhibition, MAK Center for Art and Architecture, 2000 |
 space, climate, light, mood, MAK Center for Art and Architecture, 2000
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